Competitions don’t just develop your skills. They can be a source of inspiration and motivation to keep going with your writing. Here is a collection of credible competitions to enter this year.
Plenty to Choose From
There are masses of writing competitions: from the questionable ‘ads’ asking for entry fees but not mentioning judges or prizes, to the internationally prestigious big winnings like The Bridport Prize. The latter attracts thousands of entries from established writers, so the most we beginner writers are likely to gain is the thrill of addressing the envelope with our entries inside.
There is a middle ground though. Plenty of contests are offered by reputable organisations with details of past winners, current judges and reasonable prize money without profiteering on entry fees. And it’s essential to research previous winning stories and judges to get the tenor of the competition – it’s a waste of time to submit a tale of fluttering romantic delights if they want the pounding heart of darkness.
More to gain than prize money
Three other criteria I use to select a favourite competition are that it:
- runs several times a year; this gives me more opportunities to improve my story writing, and I don’t have to wait a whole year to be luckier next time.
- offers optional critiques; these are a real treasure and usually at excellent rates. I check it is not just a tick-list but an adequate critique that gives me plenty to work on. Very few competitions offer this service.
- publishes winning and short-listed stories as well as awarding cash prizes. I’m old fashioned enough to prefer print anthologies or magazines, something to prop against the milk jug in the morning, but if other criteria are met, I’ll go with the online version.
My top six competitions
(1) Flash fiction is fast becoming a genre in its own right. The Flash500 on-line competition has just celebrated its first year and already it receives several hundred entries from almost 20 countries for each contest. It runs quarterly with a different judge each time. Optional individual critiques cost £10 (about $NZ20). Lorraine Mace’s eagle-eyed critique includes a full-page feedback on plot, characters, structure etc, and detailed editorial comments using Word’s ‘track changes’ programme. The most thorough entry critique I have found.
Writing a complete story in just 500 words stretches your powers of imagery and precision. Why not take up the challenge? Full details on www.flash500.com.
Flash500 publishes winning stories and judge’s reports on its own web site and in the e-zine Words With Jam – the best-kept media secret. Subscribe online; it’s absolutely free and crammed to the margins with tips, humour and inside stories on writing and writers (www.wordswithjam.co.uk).
(2) Writer’s Forum is a UK, monthly quality magazine for writers of all genre, fiction, non-fiction, and poetry. It is available on subscription or in newsagents; I even saw one recently on the shelf in the Far North of New Zealand, so it can’t be hard to find. They have a monthly competition for short stories of any genre from 1000-3000 words; an optional full-page critique costs £5. This is exceptional value for a constructive, individual verdict from the bench.
The magazine publishes three winners in the next issue with a detailed write-up by judge, Sue Moorcroft. These stories and her comments are a rich source of critical insights on storytelling. Entry is by snail-mail or online, and is continuous – if a story is too late for one issue it’s carried through to the next, no sweating over deadlines. Further details are on their website www.writers-forum.com.
(3) The Global Short Story Competition, run by Certys Ltd in the north of England, is a truly global contest seeking new, unpublished writers from every corner of the world. A search strongly supported by their main sponsor, the ‘nearly everywhere’ Bill Bryson.
They don’t offer critiques or publication, but each month winners receive cash prizes and their winning stories compete for the annual prize award. They accept submissions at any time during the year, by snail-mail or online. Stories must be less than 2000 words. For more, click on www.globalshortstories.net.
(4) In its second year, the Writing Spirit Award is offered by Dublin based Writing4all online writers group. They welcome submissions of short stories up to 4000 words in any genre, from all nationalities. The competition accepts entries in each of four rounds – short-listed stories from each round compete for the final annual award.
Although there is no critique service, this is a free-membership writing group site offering mutual feedback, online courses, resources, and comprehensive competition listings, all of which can be accessed at www.writing4all.ie.
(5) Cinnamon Press, an independent small publisher in the UK, runs two short story competitions each year for stories of 2000-4000 words in any genre, by writers anywhere. As well as awarding cash prizes, they publish the winning stories and top runners up in an anthology; the entry fee includes a copy of this publication. Their website is www.cinnamonpress.com.
Finishing your first novel? They also run a novel/novella competition; first prize includes publication, and four runners up receive a full appraisal of their work.
(6) Biscuit Publishing, another small literary publisher, founded in 2000 by the Lister family, runs both flash and short story competitions each year. Stories can be from 1000-5000 words, useful for those longer stories sometimes hard to place.
The first prize includes publication of your own short-story collection or a novella – a fantastic prize for a short story. The top ten entries, as well as receiving cash prizes, are published in the winners’ anthology.
For winning stories and judges comments click on www.biscuitpublishing.com
You never know where a short story competition might lead. When award winning author, Julian Barnes, entered a Times ghost story competition in 1974, his winning entry was picked up by Jonathon Cape and became his first novel, Metroland.
But for your story to win it must reach the judge; not be binned by one of the sheriffs because it doesn’t comply with the rules. One of the commonest reasons for disqualifying a story is exceeding the word count. Magazine fiction editors normally allow up to 50 words over their word count guidelines – they will edit the story anyway. Competitions don’t.
Lorraine Mace of Flash 500 explains, “The story would be disqualified even if it was a single word over the allotted count. It’s a question of fairness to all entrants. The rules are there to ensure that everyone is competing on equal terms.”
So check the word count carefully. With Flash 500 the word count excludes the title: in other competitions it might not.
Another regular transgression Lorraine pointed out was authors putting their names on the manuscript. Most writing competitions are judged anonymously – again, for fairness. If an author can be identified on the manuscript, it doesn’t get passed to the judge.
If you feel inspired to try some of these competitions and stretch your talent, this could be your winning year.
About the Author
Trish Nicholson lives in the Far North of New Zealand. After graduating in social anthropology she followed careers in management training and overseas development. She now divides her time between writing, photography, raising native trees and running her relaxation therapy practice. Trish has had previous non-fiction books and articles published and in 2010 began to write fiction for the first time. She prefers short stories and loves to enter competitions. She has won several international short story and flash fiction competitions and has had four stories accepted for anthology publication. Trish has just completed a non-fiction e-book about the Philippines, released at the end of 2011. She is a member of the New Zealand Society of Authors.
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